For a landscape
photographer, a wide or super-wide lens is essential. In full-frame
35mm terms, any lens from 24mm on down will capture the full extent
of any landscape, but the best photographs require more than just
the right lens. You must know how to take advantage of what the
lens has to offer. So keep in mind the following tips and that
prefect shot will be just a snap away.
1. Closer
Wide-angle lenses have a larger angle-of-view than other lenses and
as a result, a subject will appear further away depending on how
wide the lens is. You must therefore move closer to your subject if
you wish to eliminate the effect of the wide-angle lenses. With
super-wide angle lenses—the 14mm especially—you
shouldn’t even worry about getting too close to your subject.
So before you tinker with any of your camera’s functions,
take a look at the big picture (frame that is) and make sure your
subject isn’t too small.
2. Foreground
For your picture’s sake, be conscious of the foreground.
Although wide-angle lenses are generally used to photograph wider
landscapes, they will also capture a good amount of foreground.
Additionally the wide-angle perspective will highlight the
foreground, so be aware of it! The Josef Muench idea of the
near-far composition suggests the use of a wide-angle lens to focus
on one feature of the landscape, not just the expansiveness. If you
can’t find a detail to your liking or the prospect of a
heightened foreground doesn’t suit you, using a longer lens
will make the foreground less visible. However, if you want both
your foreground and background to be visible, you could use
exposure bracketing (taking the picture in different exposures) and
later using any HDR software (Photomatix is best) to convert it
into a surreal one like the image above.
3. Leading Lines
Make the most of your composition by adding some leading lines. A
stream or railway tracks could act as such lines which act as a
guide for the viewer’s eyes, directing them from the bottom
corners of a picture to the center. Because wide-angle lenses
capture such a large image, leading lines are particularly
important as they give focus to the composition. These leading
lines can also give a sense of depth: if in the foreground, you
focus on the start of a leading line (take a stream, for example)
and follow its path through the picture, the stream will become
smaller (as measured on the printed photo) particularly quickly due
to the breadth of the composition.
4. Vertical
While some great photos are a result
of chance, that is no reason to forfeit control of your photograph.
You must recognize that wide-angle lenses often alter verticals.
While you may desire this effect, consciously choose to make this a
factor in your photograph instead of letting it occur at random. If
you want the verticals to appear as you see them, try capturing a
scene with only one clear vertical. The vertical shouldn’t
appear warped because there aren’t other verticals for
comparison. In addition, if you work in shift movements with a
tilt-shift lens some of the distortion can be corrected
pre-exposure. You can also always just correct the verticals after
the photo is taken by using Photoshop’s “Lens
Distort.”
5. Filter Dos and Don’ts
For starters, a polarizer does not
affect a blue sky evenly. A wide-angle lens would further highlight
this defect because of the focus the lens gives to backdrops. As a
result, the sky will appear abnormal. If you don’t plan to
have the sky in your photograph, then you can leave the polarizer
on without any problems. Screw-in filters can also bring trouble.
Dealing with the filter edges, especially when putting multiple
filters on one lens, can become complicated. If you insist on using
a filter, try Cokin’s P-series filters with the wide-angle
filter holder.
6. Focusing
Wide-angle
lenses are relatively simply to focus, but the hyperfocal distance
should be kept in mind. The hyperfocal distance of a given lens
indicates the closest distance that the lens can center in on a
particular object and still achieve an acceptable focus. At 24mm,
the hyperfocal distance is about six feet and everything from about
three feet and beyond will be in focus, even at f/11. At
17mm—again at f/11—everything from 17 inches away to
infinity will be in focus. Finding the hyperfocal distance of your
lens will greatly reduce the overall time you spend on focusing,
not to mention, help you get the best shot!
While wide-angle lenses are definitely useful, they can easily be
used improperly. By using these tips, you can be sure to take
advantage of your wide-angle lens.
~Zahid H Javali
Want to comment on this tip? Click here! We'd love to hear from you!
Do you know something helpful to add to this tip? Click Here and let us know. We'll share it with the world!
Like these tips? Get them for FREE in your email!
Computer Tips with MS Office Tips Newsletter
Your e-mail address is safe with us!
We only use it to send you the newsletters you request. It is NEVER disclosed to a third party for any reason, ever! Plus, if you decided you don't like our newsletters (don't worry, you'll love them), unsubscribing is fast and easy.